I was interviewed for the Story Always stream on Hijos del Rol, and talked about Amazing Tales, designing role-playing games for kids and marketing role-playing games. Enjoy!
Amazing Tales was always meant to be a kids game. It’s got very few rules, it’s intended to work with very few players, it makes no pretence at game balance. And yet not long after it came out I heard about it being used by grown ups. And so, I too gave it a go. Here’s what I learned.
It’s a ton of fun! both games I’ve tried with adults ended up being a blast, in a silly, high paced, crazy kind of way. Both featured pirate animals, both featured a lot of action. One featured a psychic bar-tender who poisoned a cthuloid monster with a giant cocktail and one included a chimpanzee pirate riding a T-rex through the gates of the bad guy’s fortress. They were those kind of games.Continue reading
This has nothing to do with Amazing Tales. But if you play the Zweihander Roleplaying game and you’d like a one page, form fillable character sheet I’ve made one.Continue reading
Last week we looked at two ways to create non combat encounters – natural hazards, and contests. This week we’ll look at a few more. Tasks where violence is simply not an option, troublesome individuals and peaceful high stakes tasks.
When violence is not an option
“Break into the castle, get past the guards, sneak into the Prince’s bedchamber and steal his prized gauntlets. If you’re seen – you’ve failed. If you harm any of the guards, you’ve failed.”
In this situation it’s clear that the challenge should involve no violence. Perhaps the patron simply doesn’t want to be responsible for bloodshed, perhaps the quest need attract no attention. Perhaps the party are having to carry out their activities on friendly territory. For whatever reason every challenge that would ordinarily be resolved at the point of a sword now has to find a different solution.
If you’re going for this approach put the onus of finding the non-violent solutions onto the players. Just because the task has to be resolved peacefully doesn’t mean that doing that is going to be easy. Make them impress you with their ingenuity.
You might also find that having solved one seemingly ‘combat ready’ problem peacefully they start to take the approach more frequently when it’s not explicitly required, something which in my experience often leads to more enjoyable games.
A character doesn’t have to be actively hostile to be a problem, some people are just difficult to deal with. Here are some options for troublesome encounters
The shadow has decided to follow the heroes around for a while. It could be because they think the heroes are interesting, it could be because they think the heroes are up to no good, it could be because they’re the hero’s biggest fans. It’s hard to be stealthy or secretive with a shadow, and they might get themselves into trouble and need rescuing.
Remember that heroes are often remarkable individuals, it’s only natural they’d attract attention.
The diligent have a job to do and are determined to do it well. Perhaps they’re a guard. Perhaps they’re an inspector. Perhaps they’re a particularly fussy chambermaid. Regardless they have a task to do and will do it to the best of their ability. Might this delay the heroes? Yes it might. Might it cost them money? Yes it might. Might offending the diligent mean they can’t get what they want at all? Yes it might.
Here’s Alan Rickman encountering a particularly diligent sales assistant
The grifter is someone who is out to relieve the heroes of their hard earned cash. This is particularly easy for a grifter who is travelling one way while the heroes are travelling in another. Perhaps they have valuable information on the lands ahead. Perhaps they have holy water or magical herbs for sale (how would you tell them apart from regular water and herbs?). Heroes are naturally disposed to believe stories about mysterious goings on, magic items and the like, making adventuring parties easy prey for con-artists.
If you’re looking for cons to run on your players there’s a wealth of ideas in this book.
High stakes tasks
Try giving your party something to organise that should have nothing to do with violence. Don’t just ask them to travel through the jungle, ask them to take an expedition of 200 through the jungle, supported by elephants. Or perhaps the king has made them responsible for the famously hard to please prince’s fifth birthday party. Their budget is unlimited, but if the prince isn’t pleased, the dungeons await!
I once ran a game in which the players were soldiers in a Napoleonic era army. The officers ordered some men from the ranks (the party) to prepare a dinner party for them.
The party had one factor in their favour – one of them was a butler’s son, and one against them – the NPC chef was blind drunk.
Do the job well and they’d impress their officers, perhaps gain useful information and a chance to help themselves to some choice supplies. Do it badly and their officers would remember them for all the wrong reasons.
As part of the game the dinner party was a great success, forcing the players to dive into parts of their character sheets usually left undisturbed and drove a lot of role-playing as the enlisted ranks struggled with the idea of needing three spoons per person…
So there you have it, a whole range of ways to keep a game moving without asking anyone to roll initiative. If you’ve got ideas of your own – leave them in the comments.
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With Amazing Tales being a kids game I’m sometimes asked about how parents can keep combat out of it. The answer of course, is not to put any in. The challenge, is what to put there instead?
A lack of combat shouldn’t mean a lack of conflict, as I wrote last week if you’re going to have much of a story conflict is essential. But as last week’s article pointed out, the range of possible conflicts is huge.
This article isn’t about how to write the perfect mystery or an investigative scenario. It’s about having more options to go in that gaming space where you’d usually say ‘And then the bandits attack, roll initiative!’. This week it takes a look at two kinds of non combat encounters – natural hazards, and contests.Continue reading
A band of adventurers armed with sword and spell venture underground to kill monsters and claim treasure. That was the original dungeons and dragons concept and it’s propelled the hobby for the subsequent forty years. But games don’t have to be about violence, and, there are lots more ways to set up a good conflict.
The good news is any kind of conflict, whether it involves violence or not can be summarised in the following form
- I want …
- I can’t have it because … and …
- If I succeed… but if I fail…
The appeal of violence in role-playing games is straightforward, a fight provides the essential narrative elements in condensed form. You’ve got a conflict, you’ve got stakes, you’ve got motivation, all of it right there in the time it takes to say ‘there are five goblins in the room’. If your story isn’t going to feature violence it still needs those things. So let’s look at them one at a time.
I started playing pen and paper role-playing games with my daughter when she was four. I started with my son at the same age. Five years later here are some tips and tricks the kids have taught me…
Since Amazing Tales has now earned all the various ‘best selling’ metal badges from Drive Thru RPG, and since I see questions about this pop up from time to time I thought it might be useful to explain exactly how they work.
The metal badges are based on how many copies your game has sold. That does include products sold at a discount, but it doesn’t include products sold for free or ‘at cost’. So the dozen copies you bought for yourself to send to reviewers aren’t included.
Kris and Big sent us this account of their first ever game of Amazing Tales. As you can see they had an epic and prehistoric time. If you’ve got an Amazing Tale to share send it in, or share it in our Facebook group.
Big (a real life five year old boy with a great imagination) is a crystal raptor. This is a raptor dinosaur made of crystal so that he’s almost invincible. His name is Shadow, and his best talent is clawing and tearing things with his razor sharp claws. He can also run super-duper mega-fast (adjectives supplied by Big), build things, and swim.
Shadow lives in a hilly forest with a nice stream running through the middle and between the hills. One day, as Shadow takes his morning walk to the stream for a refreshing drink and to catch a few breakfast fish, he hears a small mewling sound. Upon investigation, he finds a tiny baby triceratops (Meepmeep) who seems to be all alone.
Thump. Thump. Thump. Tyrannosaurus Rex can be heard in the distance. He’s coming closer! Shadow grabs Meepmeep and takes off running.
[Roll for run. Miss!] Shadow’s weighed down by Meepmeep and can’t get away as fast as easily as usual. T Rex is now right behind Shadow, almost in chomping distance.
[Roll for build. Critical hit!] Shadow quickly puts Meepmeep down and, with his outstanding building ability crafts a strong wall out of forest material right in front of T. Rex. As T. Rex moves to go around the wall, Shadow builds even further. Eventually, there is a wall dividing the full length of the forest into two halves – Shadow and Meepmeep on one side and T. Rex on the other.
Shadow and Meepmeep settle down to enjoy their belated breakfast and rest for a bit. T. Rex can be heard thumpthumpthumping along the wall looking for a way to break through. Just as Shadow starts relaxing, he hears a desolate sound from Meepmeep. Meepmeep explains that he’s sad and worried because his mother is caught on the other side of the wall with T. Rex.
Shadow comes up with a plan to save Meepmeep’s mom. He’ll hide Meepmeep in the safe half of the forest, then take down a small portion of the wall atop the river. He’ll swim through the river so that T. Rex doesn’t notice him.
[Roll swim. Hit!] Shadow stealthily swims underwater past T. Rex. T. Rex continues stomping along the wall while Shadow searches the dangerous side of the forest for Meepmeep’s mom. He finds her and begins the trek back to Meepmeep on the safe side.
[Roll swim. Hit!] Shadow and Meepmeep’s mom make it past T. Rex by swimming underwater to the safe side of the island. From his hiding place, Meepmeep spots his mom and runs over in excitement. The rush of movement catches T. Rex’s attention, and he once again tries to break through the wall. He finds the weak spot where Shadow had to remove part of the wall to cross over. T. Rex starts making his way through.
[Roll build. Miss!] Shadow tries to hurriedly rebuild that portion of the wall, but does not finish in time. Now T. Rex is on the same side of the forest as Shadow, Meepmeep, and Meepmeep’s mom! T. Rex gets even closer, eyeing the group hungrily.
[Roll fight. Hit!] Shadow uses his razor sharp claws to defend Meepmeep and his mom. T. Rex is injured in the scuffle and takes a few steps backwards.
[Roll build. Hit!] In the brief period while T. Rex is recovering from Shadow’s attack, Shadow very quickly rebuilds the missing portion of the wall, effectively shutting T. Rex on the other side of the forest again.
Rex continues thumping along the wall looking for another way through but seems to be stuck on his side of the forest. Shadow, Meepmeep, and Meepmeep’s mom live together happily ever after as a family, safe from T. Rex.
About a month ago my friend Juliette asked if I’d like to give a talk about Amazing Tales at the company where she works. I said yes, not just because I like talking about Amazing Tales, and because Juliette is a great friend, but because Juliette works for Lego.
The brief was simple. Come along, be inspiring, tell us stuff about playing with kids that we don’t know.
Note: Simple is not the same as easy.